Vestments worn by Pope Francis during the pastoral visit to Palermo in September 2018, and the antependium for the papal altar.
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Since 2000 – the Art of Liturgical Embroidery
Michele Cassata creates and restores sacred vestments using historic techniques: embroidery in gold, silver, silk, coral and hardstones. Not a conservator only: in new pieces he reinterprets the historic design and signs it as his own.
The MasterMichele Cassata has embroidered vestments for the Pontiff. Coats of arms and bands in gold, silver and polychrome silk, made entirely by hand, stitch after stitch. Work that says as much about the one who wears it as about the one who spent hours, days and weeks with needle and thread, making something meant to last in time and in history.
History passes through
the hands that embroider it.
Each entry corresponds to real work, either restoration or new making, for religious and institutional clients.
Find out more
Vestments worn by Pope Francis during the pastoral visit to Palermo in September 2018, and the antependium for the papal altar.
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Papal coat of arms embroidered on the throne for Pope Benedict XVI's pastoral visit to Palermo, October 2010.
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Covering for the new altar (November 2004) and restoration of the seventeenth-century mitre known as “del Barbavara”.
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Restoration of the antependia embroidered in gold and coral and of the sixteenth-century mitre, cleared by the Heritage Superintendency.
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Vestments for the fiftieth anniversary of priestly ordination and a mitre donated to the Basilica of St Francis in Assisi.
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Restoration of the vestments for the 800th anniversary of Monreale Cathedral.
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Restoration of the upholstery of the “Throne of the Abbess” in Corleone, eighteenth century.
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Conservative restoration of the Casa Florio tapestry.
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Exhibition stand at the 14th edition of the international showcase of church furnishings, liturgical objects and building components for places of worship.
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Mitres, chasubles and stoles made to commission for international clients.
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The last guardian of a sacred art,
the first to reinvent it.
Every piece begins with a direct request: a new creation, a restoration, a vestment to reinterpret. The first step is to tell us about it.